![]() Walter Brennan is a revelation in a non-stereotypical role as the evil Old Man Clanton and the rest of the cast, mostly members of Ford's 'stock' company, is excellent. He is ably backed up by a sensitive performance by Victor Mature as Doc Holliday. The characters are well drawn as real, multi-dimensional people by director John Ford and the cast is first rate, led by Henry Fonda as Wyatt Earp, giving a masterclass in high quality understated acting which would be difficult to beat. The film is based on actual events, although the plot deviates greatly from actual historical fact. It recounts the events in Tombstone, Arizona leading to the gunfight at the OK Corral between the Earp brothers and Doc Holliday on the one side and the Clanton family on the other. The film has a powerful storyline with a nice mixture of action, comedy and romance. In 1991 it was selected by the Library of Congress for preservation in the United States National Film Registry as being "culturally, historically, or aesthetically significant." #My darling clementine movieThe movie was well received on release by both critics and public and although it received no Academy Award nominations, it has since become regarded as a classic of the genre, having been described as one of the finest Westerns ever made. Lake and its title is from the folk song 'Oh My Darling Clementine' which is heard over the opening and closing movie credits. The film was adapted from the book 'Wyatt Earp, Frontier Marshal' by Stuart N. 'My Darling Clementine' is a classic Western adventure movie made in 1946, directed by John Ford and with an all star ensemble cast including Henry Fonda, Victor Mature, Linda Darnell, Walter Brennan, Ward Bond and John Ireland. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to. If you would like to reproduce text from a MoMA publication, please email. For more information about film loans and our Circulating Film and Video Library, please visit. For access to motion picture film stills for research purposes, please contact the Film Study Center at. Motion picture film stills cannot be licensed by MoMA/Scala. #My darling clementine licenseAll requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at. At this time, MoMA produced video cannot be licensed by MoMA/Scala. MoMA licenses archival audio and select out of copyright film clips from our film collection. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). And yet Ford makes brilliant use of them, placing Mature and Darnell (as Doc Holliday and his Latina saloon-girl lover, Chihuahua) as liminal characters who belong neither to the feudal past of Walter Brennan and his murderous sons nor to the shining democratic future of Henry Fonda’s Wyatt Earp, but rather to a realm of eccentric individualism somewhere in between-a world Ford valued as well, though it is unlikely that Ford would have been able to conjure Chihuahua’s dark sensuality without Darnell’s active participation. John Ford was said to be unhappy with the casting of Victor Mature and Linda Darnell, two Fox actors outside Ford’s cinematic family, in the 1946 Western that was his postwar return to the genre-and the first of many multilayered masterpieces that followed in the 1940s and ’50s. With Henry Fonda, Linda Darnell, Victor Mature, Cathy Downs, Tim Holt, Walter Brennan. Engel and Winston Miller, from a book by Stuart Lake. ![]()
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